“Nowadays, you are either blurred, aware, or lost… but
sometimes you are all three."
- Jared to Rejegel; in their conversation at
Hellespoint after the suicide of Ro.
-
Later at the MRT, I opened the paper bag containing the book
I just purchased. I flipped through the first page and read while I leaned on a
bare wall and stood without care while waiting for the train.
Shortly, through the first paragraph where the character
Ludvicko suddenly found the lost memories of his childhood, the train arrived.
I was not able to get in because of the thick flood of people that poured in
and out of the doorway, making my goal, which is the same as theirs, impossible
to achieve. I was left behind because they were determined and I wasn’t.
Like I’ve said: this day, I took my time.
I slowly walked through the length of the platform, which is
now emptied of people, now all crammed up inside a train car, with gloating
faces, as they looked at me, proud that they were inside and I wasn’t. I didn’t
care. I just walked to an empty bench, sat down and resumed reading.
My eyes rolled through the paragraph where the character
Ludvicko stood by the window and stared at the courtyard where he spent most of
his youth. The images in his head were vague, but still they exuded a feeling
of nostalgia for the young man he once was: a man who lived in a time when time didn’t amount to much. He remembered the youth who could just sit on
a marble bench and be content. Pleasure is merely the strong flood of breeze
through his nostrils; adventure is the stabbing pain in his sinuses as the
pungent scent of autumn leaves suffused with rot, moistened and chilled by the
thick morning fog, surged in his airways.
Now, Ludvicko has changed: the personas he should assume,
the places he must go to, the things he wished to possess, were all that
consumed him and his days. But ten years ago, while sitting in a bench,
Ludovicko forgot that he had to be somewhere else. Because it happened that he
sat on a bench and decided to stay and relish the joy, which he found in the
glum countenance of the morning sky. He
stayed and lost himself, or perhaps the opposite happened. That maybe in
such moments could he only become himself, because then, his purpose is no
longer dictated by something that must be done, but rather, he was driven by a
fundamental force— some sort of desire that’s untarnished by the presumptions
of what ought to be, and what must be done. He was just sitting and breathing.
For him, that was enough.
Then and there, in the empty marble bench, under the
twilight of dawn, he became fully aware that he is alive and existing. He just
is. And he had no need to rush into things, because he thought that things
wouldn’t go away, or maybe he thought, it wouldn’t even matter if they do, as long
as he stayed, or rather – existed while sitting in that lonely marble bench. It’s all
he required to be happy.
Then I lost Ludvicko. So I stopped contemplating him and
instead began searching for him in the first paragraph of the book. He was no
longer there.
Let me clarify to you that the book didn’t speak of any such
things that I mused. The book didn’t tell of Ludvicko the way I told of him.
I’ve reinvented Ludvicko. I’ve forgotten the Ludvicko in the book. In fact
there is no Ludvicko in the book. He went by another name and he is not at all
similar to the Ludvicko I’m speaking of. This is my Ludvicko; the Ludvicko who
remembers things that he had lost. This Luvicko is mine. And I did not find him
nor did I rush to create him. He came to me and asked me to own him. This
happened because at the moment when my butt met with the flat space of the
bench, in this empty platform, all through out, I took my time. And such things
happen when you do that.
When you are not rushing for things to happen, things still
happen, though you wouldn’t care if it happens to you or not. And if it does,
then it does; that’s all there is to it. If you take your time, it wouldn’t be
any of your concern if an expected event occurs ahead or with delay, because
you know that it will occur in its own time. And you don’t even have to wait;
you just have to know. The universe takes its time with you, and things fit
perfectly.
It’s just like dancing. When you dance, you take your time,
you move in time. You begin to own time, and then it owns you back. It’s just
like embracing something with resolve, and somehow, whatever it is, it almost
always tenderly embraces you back.
I was thinking these thoughts when an odd character, a
small, thin, creature pranced in front of me. He looked like Golumn. He sat beside me. I looked at him once; long
enough to make him know that I was aware he was there. I prepared myself in
case he decides to grab my book and scream “my precious” out loud, jealously and
victoriously, while running away as fast as he could. I was a bit suspicious.
He seemed to eye my book with interest and this is “my precious”, not his.
He had successfully intruded my solitude. I wanted to kick
his face.
“Is that Kundera’s new book?” Was how he began the small
talk, and he really did speak in English. Oddly, we talked in English all
through out the speak-easy. I had to emphasize this fact, because it’s not
often that a complete stranger, ugly as he is, would speak to me in English in
a train platform, late in the night, and ask about authors and books.
Considering the oddity of the conditions, the situation
became worthy of my time. I decided to answer his question and thus our flimsy
conversation began. “No, it was his first, before Farewell Waltz. Or was it Life
is elsewhere? * I’m not sure.” “Is
he a historical writer?” “No, fiction.” “Yes, I know, I mean…”
“He’s not a historical writer, though he uses historical
events in some of his novels.” I said flatly, not taking my eyes off the page.
“Are you a book worm?” “Excuse me?” “Are you a
bookworm?” I squinted at his question
and asked: “What’s your name anyway?” “It’s Juris.” “Jules.” And we shook
hands. “What school do you go to, Juris?” “AMA, and you?” “I don’t.” “Why?” “I
just don’t.” “But why?” I shrugged.
“So are you a book worm?” “No, I just read.” “I’m a book
worm.”
He was quiet for a while, then he began again: “Do read
Philosophy books.” “Yes, some.” “Who’s you’re favorite?” “None, I read Ayn Rand
recently.” “O, what book? Was it Atlas
Shrugged?” “No, Fountain head.
Great book.” “I read Jolstein Gaardner, but he’s new, I also like Heidegger.”
“Kundera is philosophical as well,” I said.
He drew out a hanky from his pocket and wiped the sticky
balls of spit that gathered at both corners of his lips, and then he spoke: “O
yes, Kundera writes about philosophy, I’ve only read Unbearable lightness of Being, and I’ve also seen the movie. They
were despicable; horrendously ugly. Bleech!” “It’s my favorite book. The
movie’s alright,” I said.
He stopped. At this point I wanted to see if he would
retract his previous opinion of the book. I’m glad he didn’t, he said: “I find
him too honest. Kundera is an honest writer.” “I think all authors should be.”
“But he’s too vulgar.” I shrugged.
I was quiet and then he talked some more: “When I read
fiction, I want it to be fiction. I mean, I don’t want to read something that
will give me a sense of reality. Fiction should feel unreal.” “I just want to
read.”
“If you’re a bookworm like me, you should check out this
Afghan writer and his book kite runner,
they are adapting it on film. They’re shooting it already.” “Yeah, I read about
that in TIME.” “O you read TIME too. I don’t like magazines, of whatever sort.
They’re stupid. A waste of time.” “TIME is a waste of time.” “Anyway, this
Afghan writer is an Asian author.” “Afghan, Asian… okay.” “Asian authors are
the best. Do you like Asian authors?” “I read Murakami. Japanese. Asian.”
“Yeah, have you ever read his non-fiction?” “Underground— not yet.” “I don’t like him. His writing is
disgusting” “I love Dance, dance, dance.”
“How about Kafka on the shore?’” “Not
yet, I’m planning to read it though.” Then he blurted: “I feel lost when I read
him. And I don’t want to feel lost.”
I shrugged and flipped a page.
He was about to explain how Murakami made him feel lost, but
as his vocal chords vibrated producing the sound of his word’s first syllable,
a bald man suddenly sat on the bench, at the very space that separated us. That
ended our conversation and everything was quiet for a while. I continued
reading.
After a few moments, Juris stood up and awkwardly walked
away and sat himself at another bench at the far end of the platform. I looked
at him to see if he was seated beside someone else. He was. I thought of the
probability of him striking another small talk with another stranger. Then the
thought left my mind. I was about to recapture Ludvicko but the train arrived;
its cars were rather empty, considering how stuffed and suffocating these
trains could be.
I took my time entering the train. When I was finally
inside, the door beeped and closed behind me as if on cue.
The train moved in a rickety hum. I kept my balance as I
remembered the painting that I saw earlier at the mall gallery. It depicted the
sight I’m seeing now: a vivid picture of people with spent faces and sagging
bodies, contorted with fatigue; their hands held on to the rail, it’s as if
they were on a rally with raised fists, passionately advocating an ideal. In
reality though, with the way they looked, they appeared too tired to be
fighting for a cause, instead their faces spell out a common desire to lie down,
rest and go to a better place. Somewhere better than where they stand, better
than here on the train, better than where the train is taking them. I don’t know where,
but after two stops, an old woman carrying an infant came in. That was when I
noticed some of the faces change, as if they remembered something pleasant from
their past. It might be that place, perhaps.
-
Part 2 of 3, of ‘A baptism to the
solitary doctrine’, -030607
*Note: The book that
came after the book that I had was LaughableLoves.